Posted inArts + Music

Reverend Horton Heat

Guys have their foolish moments, what with fantasy sports and beer hats and all, but the caricatures needn’t lack empathy. Take this song “Beer Holder.” Nobody addled enough to admire his expanding belly’s utility as a coaster would think to write a song about it. That’s where Reverend Horton Heat comes in: white trash wit […]

Posted inArts + Music

Zombieland brainless fun

It’s to Zombieland’s benefit that it pays no mind to the most obvious questions it poses. 1) Didn’t Shaun of the Dead already perfect the zombie comedy? 2) Is Jesse Eisenberg’s career relegated to playing neurotic 20-something virgins in movies with the suffix “-land”? Zombieland uses its redundancy as attitude—even the poster tagline wants you […]

Posted inArts + Music

Two Hours Traffic

To the quartet’s credit, they don’t drive directly at the power-pop that made their previous records stand out. The hooks and upbeat tempo can be found (the opening and title tracks and “Lost Boys”), but overall, the band’s clearly concerned with songwriting’s other internal mechanisms: the almost-off-balance pitch of the keys and syncopated rhythm of […]

Posted inArts + Music

Julian Plenti

While Interpol’s music is predictable and somewhat formulaic in its reliance on a specific 1980s aesthetic, this debut from lead singer Paul Banks is anything but. Complex, richly textured and varied, the songs range from intimate instrumental interludes to layered, spacey indie-rockers. There are few, if any, weak moments here, and Plenti solo is a […]

Posted inArts + Music

Jenocide

The pounding distorted bass and fuzzy synth shrieks opening Jenocide’s Machines To Make Us Wet recall the sweaty genius of her first EP. But three tracks in Nine Inch Nails-like staccato drum beats introduce Jen Clarke’s haunting, subdued vocals, setting it apart from your standard electronic dance album. From there, Clarke navigates vocal history with […]

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Statues

Consistently infectious, Statues team up with P Trash and House Party Records, releasing yet another single that would make you hate yourself if you missed it. It’s damn near impossible for Statues to write a bad song. The real standout on this latest single is the first song on the b-side, “To the Top.” That’s […]

Posted inArts + Music

Mille, “Crysteena”

Justice? Pfft. Crookers? Pfft. Give me some Mille! This song’s like a dance club playing videogame music. And it makes you wish that club existed. So bad. The cascading, fantastical synth riffs and super-duper-compressed drums leave you stranded on the peak of a snowy, digital mountain. Or dancing alone in your socks, in my case.

Posted inArts + Music

Smokin’ Contra Band

CBC Studio H has played host to many local artists’ album-making. Smokin’ Contra Band checked in as one of the latest to work with producer Glenn Meisner and Patrick Martin, who records and mixes. The Meisner/Martin sound favours a polished, balanced mix. On Slim Pickins, the ragged edges of a fun, feisty folk/traditional band disappear. […]

Posted inArts + Music

Darwin Deez

Self-described as “happy music for sad people, white music for black people,” Darwin gives a surprisingly accurate rundown—his music sounds like he’s trying to convince listeners to be happy, and it works. The events in his lyrics sound tempting, but don’t “ding-dong-ditch a Televangelist” until you finish dancing.

Posted inFood + Drink

Down and Durty

Honestly, when I think of Irish pubs, I generally think of establishments that have based their business plans on two things: a handful of stereotypes and a Celtic font. But—-barring an appearance by Colm Meaney or a musical tour of the restaurant by Anna McGoldrick—-it is pretty much impossible to cram any more authenticity into […]

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