Nothing is quite what it first appears to be with Silent House, which starts off feeling like yet another bump-in-the-night haunted house story before veering off into unexpected territory. Sarah (Elizabeth Olsen) gets trapped in the darkened house that her father (Adam Trese) and uncle (Eric Sheffer Stevens) are renovating and becomes increasingly terrified by […]
Matt Semansky
Flawed John Carter
One can’t count a paucity of ideas among the numerous flaws in John Carter, an adaptation of an Edgar Rice Burroughs story. The action-adventure flick brims over with alien creatures, plotlines that feature space travel, romance and war and thematic nods to environmental destruction, politics and the Bible. This J.C. (get it?) is a former […]
Act of Valor an ad for the American military
To evaluate Act of Valor in the usual cinematic context is to misunderstand certain rules of engagement, for this is less a movie than a brand advertisement for a US military that’s lately suffered a few dents to its reputational armour. Directors Scott Waugh and Mike McCoy use a standard-issue terrorism story, populated by a […]
Gorgeous, sad drama Monsieur Lazhar
Quebec filmmaker Philippe Falardeau weaves a sad, gorgeous commentary on grief, immigrant struggle and educational bureaucracy in Monsieur Lazhar, an adaptation of a one-man stage play. Having escaped persecution in Algeria, the title character (Fellag) takes charge of a Montreal classroom where the previous teacher took her own life, a suicide that’s left the pre-teen […]
Ghost Rider: Spirit of Vengeance marginally improves on original
Whereas the first Ghost Rider was a gloomy, inert slog weighed down by the demands of establishing the lead character’s backstory, the follow-up refuses to tether itself to any kind of narrative or logic. The story, such as it is, places Johnny Blaze (Nicolas Cage) in Eastern Europe, where he and his flaming-skeleton alter ego […]
The Vow leaves reviewer’s heart unmelted
Early on in this tepid romantic drama, Channing Tatum’s college-quarterback voice elucidates the theory that major moments in life can shape one’s identity. No shit. The Vow isn’t deep enough to drown an ant, but it aims to submerge audiences in their own tears with its story of an artist (Rachel McAdams) who can’t remember […]
Chronicle poignant (with tech issue)
Chronicle unfurls from the perspective of cameras wielded in jittery fashion by its characters, an increasingly tiresome conceit that adds nothing to a film whose true ancestor is Carrie, not The Blair Witch Project. Three teenaged guys get zapped into unconsciousness by a mysterious entity and wake up with the ability to move objects with […]
The Grey: kinda great, kinda awful
Befitting its namesake, Joe Carnahan’s grim survival movie lands in that vast, murky area between brilliant and terrible, its moments of transcendence balanced by glaring weaknesses. Liam Neeson plays a lovesick alpha male among a group of men who live through a plane crash in the Alaskan wilderness only to face the elements and a […]
Haywire kicks ass
The last time Steven Soderbergh coloured outside the lines with his casting of a female lead was in The Girlfriend Experience, when he unleashed the vacant stare of petite porn star Sasha Grey. Mixed martial arts fighter Gina Carano is an entirely different specimen and produces much better results as the star of Haywire, playing […]
Conventional Contraband
This Mark Wahlberg vehicle is the celluloid version of a fast food burger, utterly unremarkable and yet comforting in its familiarity. Wahlberg plays a reformed smuggler who’s forced to get back into shady boat business after his brother-in-law (Caleb Landry Jones) botches a run and is threatened by a vicious crime boss (Giovanni Ribisi). The […]
Joyful Noise? WTF?
Chaste romances, churchy speechifying, gospel-ized pop songs and surprising weirdness abound Joyful Noise, a movie wherein Queen Latifah and Dolly Parton grapple over the direction of their competitive choir group as well as their respective families. Writer-director Todd Graff loads the film with subplots, like the forbidden love between Latifah’s daughter and Parton’s grandson, that […]
A Dangerous Method cerebral, chilly
David Cronenberg approaches A Dangerous Method with an air of cool detachment, akin to a therapist analyzing a patient. Though appropriate for a story about Sigmund Freud, Carl Jung and the development of psychoanalytic theory, the scholarly vibe limits the movie’s effectiveness. Viggo Mortensen, as Freud, and Michael Fassbender, as Jung, do a good job […]

