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Review: Demolition

Quebecois director Jean-Marc VallĂ©e continues his steady march into Hollywood—you have him to blame for Matthew McConaughey’s Oscar—following up Wild and Dallas Buyers Club with the Jake Gyllenhaal-starrer Demolition. Gyllenhaal, who’s made two films with VallĂ©e’s fellow ascendant Francophone, Denis Villeneuve, stars as Davis, an investment banker whose wife dies in a car accident. A hospital vending-machine incident inspires Davis to write […]

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Review: Eye in the Sky

The actor-writer-director Gavin Hood follows up the mostly computer-generated Ender’s Game—about a boy training to fight intergalactic war through a simulator that turned out to be real—with a similar but much more realistic battle pitched across nations in Eye in the Sky. Colonel Katherine Powell is played by Helen Mirren—a terrific, welcome force to have in a typically manly environment […]

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Review: The Bronze

Melissa Rauch, The Other Girl from The Big Bang Theory—“Not Kaley Cuoco, not Blossom, the other girl!” has crafted herself a terrific lead role in Hope Ann Greggory, a foul-mouthed, emotionally stunted former Olympic gymnast. Still living at home with her postal worker father (the great character actor Gary Cole, from Veep and The Good Wife), Hope is half-coasting through […]

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Review: The Little Prince

This terrific adaptation of the beloved children’s book for adults features a passel of Hollywood voices, but they’re beside the point. When a little girl (Mackenzie Foy), overworked by her uptight single mother (Rachel McAdams), meets a kooky neighbour (Jeff Bridges) who tells her of his adventures with the Little Prince—a boy born on an asteroid searching the universe for […]

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Review: Allegiant

The Hunger Games, which stretched on for a movie too long as well, at least had the good sense to end each one with a cliffhanger. (Even Twilight did that.) Divergent, the Shailene Woodley-starring Games ripoff that’s on film three of four, conversely ends as would a television series on the bubble—each installment could continue on, but if for some […]

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Review: Born To Be Blue

This Very Canadian Biopic stars Ethan Hawke as Chet Baker, who in the â€™60s was womped by his drug dealer’s goons and had all his teeth knocked out. Teeth are pretty important to a trumpet player! Writer director Robert Budreau does the smart biopic take—instead of trying for a life overview, he covers a specific era, during which Baker is […]

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Review: Where to Invade Next

The idea that Michael Moore, the only multimillionaire documentarian, is a outsider Everyman slash provocateur has been laughable since he won the Oscar for Bowling For Columbine. His schtick—he still wears the same baseball hat/glasses/ill-fitting jean combo he’s been sporting since he was a commoner, circa 1989’s Roger & Me; he still narrates, in his […]

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Review: Whiskey Tango Foxtrot

Tina Fey plays her least Tina Fey-iest character in Whiskey Tango Foxtrot, a book she optioned because a reviewer called the author a “Tina Fey character.” We begin in 2003, where Fey’s Kim Baker (her real-life counterpoint is Kim Barker; why the single-letter name change?) has just been deployed from her boring job writing teleprompter […]

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Review: 45 Years

Between the lyrical, lovely Weekend and the short-lived cult favourite Looking, on HBO, writer-director Andrew Haigh has pushed the modern gay man—well, the white, fit, reasonably well-to-do one—past tired, lingering stereotypes and into a place more complex and interesting (altogether now: human). So his latest is something of a curveball: A pair of senior citizens (Academy Award nominee Charlotte Rampling and […]

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Review: Kung Fu Panda 3

As far as movie franchises go, you can do much worse than Kung Fu Panda, which stars Jack Black as a panda destined to be a great martial artist. The voice cast is big-time and wonderful: Dustin Hoffman as the tiny sensei Shifu, Angelina Jolie as the stoic Tigress, Seth Rogen as Mantis, Lucy Liu as Viper and David […]

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Review: Son of Saul

Unlike most Holocaust movies, Son of Saul doesn’t go out of its way to show you the horrors; in this Cannes Grand Prix winner directed by LászlĂł Nemes (making his feature debut), the atrocities pile up in the corners, on the edges, often out-of-focus or, worse, via the film’s human score of whispers, screams and […]

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