Malajube’s third album starts off with mystic “Moonlight Sonata”-like keyboards on “Ursuline,” a seven-minute epic about the historic Quebecois order of nuns. Labyrinthes quickly delves into a miasma of dark religious references, positioned against a background of dreamy, ethereal pop music. Think spiritual labyrinths rather than David Bowie; actually, think both cathedrals and David Bowie. […]

