Ferguson divides his poems into two parts, “Fundamental Tones” and “Overtones.” In the first part, Ferguson offers short, declarative lines in “Norval,” stating “Morrisseau’s paintings prove/there are no new pigments.” In part two, Ferguson extends line-lengths a little and lets images linger and resonate a little longer in “Shaman Traveler to Other Worlds For Blessings,” […]
Subscribe to our newsletter
Be the first to know about breaking news, articles, and updates.