Posted inArts + Music

Jazz Fest: Pantayo

“It kinda felt like cultural knowledge FOMO.” That’s how Kat Estacio explains the feeling that became Toronto gong-punk ensemble Pantayo. The group—an all-women collective of immigrant and second-generation Filipinos—grew out of a desire to form a deeper connection with their culture and identities. And so together they dove into the history and sheet music of […]

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The year in music

Anderson .Paak & The Free Nationals at Halifax Jazz Festival Watching Anderson .Paak, one of the hottest current R&B artists, alternate between jumping around the stage to hyping the crowd from behind a drum kit seemed too good to actually be happening in Halifax. The crowd ate it up, singing along with every word and […]

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Kirsten Olivia goes her own way

Kirsten Olivia Thursday, July 13, 11:15pm, $15 The Carleton Music Bar & Grill 1685 Argyle Street Kirsten Olivia is forging her own path, focusing on living her truth and being honest and creative. The powerful R&B force is embarking on a year: Festival showcases, like this weekend’s double set at the Carleton; an opening slot […]

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Sam Wilson’s Evergreen story

The Evergreen Project Saturday, July 15 at 11am Dartmouth Peace Pavilion, 88 Alderney Drive Free “My music teacher in high school sat me down and asked if I’d ever thought about pursuing music in university and I said ‘um no,’” says jazz guitarist Sam Wilson, who thankfully changed her tune. “My parents are very career […]

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Joe Sealy’s Africville Stories inspires

Joe Sealy’s Africville Stories Saturday, July 15, 7pm St. Matthew’s Church, 1479 Barrington Street $35 Joe Sealy‘s father was born in Africville, living there for almost a decade before moving to Montreal, where he lived until the end of his life in 1992. Sealy wrote an eight-minute song called “Africville” in his honour and recorded […]

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Review: Blue Spirits, Liquid Courage

Liquid Courage is the debut recording from Blue Spirits, the Halifax quartet led by trumpeter Paul St-Amand and self-described (accurately) as “a colourful collision of classic and contemporary.” It starts strong just on the titles of the first two songs, “Magnifico” and “How to Be Unthoughtful” (and what’s the over/under on “One Page to Another” […]

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