Spiked black leather teapots and massive golden phalluses have taken up residence at Saint Mary’s University Art Gallery and these conceptual works are ready to challenge any and all humdrum ceramic stereotypes. *Camp Fires: The Queer Baroque of Léopold L. Foulem, Paul Mathieu and Richard Milette* surveys five decades of subversive ceramics produced by three gay, francophone Canadian artists. *Camp […]
