Guillermo Arriaga is a masterful screenwriter with the rare ability to deconstruct multiple stories and then skillfully put all the pieces back together again (Amores Perros, Babel, 21 Grams). For his directorial debut, however, the style that made him a legendary Mexican storyteller is also his heavyhanded downfall. Self-mutilating Sylvia (Charlize Theron, who seems to […]
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