The assumptions of fear and pity that keep people from documentaries about the disabled are shattered in the opening minutes of Murderball. Quadriplegic rugby players are introduced against the sledgehammer-to-the-face ferocity of Ministry’s “Thieves.” Rage sidesteps maudlin outsider perspective, readying viewers to accept the subjects as human. At its most basic, Murderball is an Inspirational […]
Mark Palermo
The Brothers Grimm
Two thousand five has been a big year for big-name filmmakers. For me, the auteurist successes have come from Wong Kar Wai, Steven Spielberg, and to a more modest degree, Hayao Miyazaki, Jim Jarmusch and Tim Burton. On the other end of the spectrum is the newest work by Fernando Meirelles, John Dahl, Ridley Scott […]
Flowers, Plain And Dukes
Broken Flowers Don Johnston is the type of character Bill Murray has played a lot recently—generally indifferent to his surroundings. As Broken Flowers begins, his fed-up girlfriend leaves him. He then receives an unsigned note from an ex, claiming to have mothered his son. Don doesn’t want to get involved. With his mystery-obsessed family-man neighbour […]

