If you're only going to see one show at OBEY, it should probably be this one, with Jean-Sebastian Audet's solo project Un Blonde seeing the walls between avant-funk and low-key soul crumble. A critical darling since the age of 16, Audet changes genres with an ease typically reserved for pop chameleons. Here, he shares the stage with percussion-based sound healer Anaïs Maviel and Markus Floats, a musician building lush soundscapes that explore the affecting possibilities of real-time digital signal processing.