Ferguson divides his poems
into two parts, "Fundamental Tones" and "Overtones." In the first part,
Ferguson offers short, declarative lines in "Norval," stating
"Morrisseau's paintings prove/there are no new pigments." In part two,
Ferguson extends line-lengths a little and lets images linger and
resonate a little longer in "Shaman Traveler to Other Worlds For
Blessings," named after a Morrisseau painting: "On birch bark you'd
breathe ecosystems/be robed in a chain mail of food chains." The poet's
love (or adoration) of alliteration may irritate some as
self-conscious, but may tickle others as simply fun to read aloud. Born
in 1982, Ferguson closely observes and considers the world around
him---his world, which has included, for example, travel----but not too
much or too far. So one starts to wonder about the breadth of his
experience. Sure, Ferguson writes about death (of a friend his age) and
other losses, but it's through repetition, repeated blows and shocks,
that experience and wisdom is gained. This will correct itself in time.
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