Scene and Heard is all over local music news, concert announcements, record releases and festivals like a cheap rug. Contact scene@thecoast.ca to send hot scoops and band gossip.

It’s been a good couple of weeks for the Company House. Fresh off an ECMA nod for Venue of the Year and co-owner Heather Gibson’s win for Manager of the Year, the warm, cozy Gottingen joint has also begun hosting an Artist in Residence program. Co-owner MaryAnn Daye likens the program to similar initiatives at the Cameron House in Toronto, where musicians get the chance to “present new music, fine tune older pieces and hone their performance skills in a live environment.” Natasha Peach will be assuming the role every second Monday for the next few months, working out piano tunes for your listening pleasure. Her next performance will be Monday March 15 at 9pm. Admission is free but donations for the artist will be accepted.

Reflections has become our new favorite Saturday pre-drinking joint now that the bar has introduced early shows beginning at 9pm. Last week we swilled $3 bottles of Olands to the sounds of the eternally youthful The Whiskey Kisses and the exuberantly cuss-y Whiskey Bent and Hellbound. Plus, two words: Hee-Haw burlesque. Then we went to a house party and got all stupid to Jimmy Cliff, in that perfect mid-buzz phase where you're kind of silly but not yet sloppy and feeling tomorrow's regret. A perfect evening.
This week, The Visitation takes the stage with Omacobba and The East Side Marijuana Band and Gang Related, which organizer Craig Hamlin describes as “Skee-lo and ODB covers over an engaging ‘80s hardcore backbeat.” Jesus Christ on a cracker. For those of you who hate music and prefer video games, March 27 is the VIDEOGAMEARAMA gaming competition that features the triumphant return of my favorite Craig Hamlin project, Nerd Army. Hold onto your butts!

Man, I need something to wash the boring-as-shit taste of last night's Academy Awards out of my mouth. You can re-visit the Coast's infinitely more entertaining liveblog of the event, and if you want to read some funny celebrity Tweets about the event, go here.
I'm told the ECMAs were slightly better, if a mite predictable and slightly uneven, sound-wise. Stay tuned for more weekend coverage from Coast photographer/hero Scott Blackburn. In the meantime, here's the results:
ECMA 2010 MUSIC AWARD WINNERS
Sennhesier Entertainer of the Year / Artiste de l'année
Joel Plaskett (NS)
Female Solo Recording of the Year / Enregistrement de l’année — artiste solo féminine
Catherine MacLellan (PE) — Water In The Ground
Group Recording of the Year / Enregistrement du groupe de l'année
In-Flight Safety (NS) — We Are an Empire, My Dear
Konica Minolta Male Solo Recording of the Year / Enregistrement de l’année — artiste solo masculin
Joel Plaskett (NS) — Three
FACTOR Recording of the Year / Enregistrement sonore FACTOR de l'année
Joel Plaskett (NS) — Three
Rising Star Recording of the Year / Enregistrement de l’année — Étoiles de demain
Kim Wempe (NS) — Where I Need To Be
Vibe Creative Group Single of the Year / Chanson de l'année
Joel Plaskett (NS) — Through & Through & Through
SOCAN Songwriter of the Year / Compositeur ou compositrice SOCAN de l’année
Joel Plaskett (NS) — “Through & Through & Through” (Performed by: Joel Plaskett)
Video of the Year / Vidéo de l'année
The Tom Fun Orchestra (CB) — Throw Me to the Rats (Directed by: Alasdair Brotherston & Jock Mooney)
MB2/Joint Venture Aboriginal Recording of the Year / Enregistrement autochtone de l'année
Forever (CB) — Reborn
Alternative Recording of the Year / Enregistrement alternatif de l’année
In-Flight Safety (NS) — We Are an Empire, My Dear
Bluegrass Recording of the Year / Enregistrement bluegrass de l’année
The Grass Mountain Hobos (PE) — ZOOT!
Blues Recording of the Year / Enregistrement blues de l’année
The Hupman Brothers (NS) — Countin’ Quarters
Country Recording of the Year / Enregistrement country de l’année
The Divorcees (NB) — Last of the Free Men
Folk Recording of the Year / Enregistrement populaire de l’année
Catherine MacLellan (PE) — Water In The Ground
Francophone Recording of the Year / Enregistrement francophone de l’année
BLOU (NS) — Noël Blou
Gospel Recording of the Year / Enregistrement gospel de l’année
The Ascensions (NB) — No Greater Love
Instrumental Recording of the Year / Enregistrement instrumental de l’année
Andrea Beaton (CB) — Branches
Jazz Recording of the Year / Enregistrement jazz de l’année
Gypsophilia (NS) — Sa-ba-da-OW!
Loud Recording of the Year / Enregistrement loud de l’année
The Motorleague (NB) — Black Noise
MapleMusic Pop Recording of the Year / Enregistrement pop de l’année
Joel Plaskett (NS) — Three
Rap / Hip-Hop Single Track Recording of the Year / Enregistrement simple rap / hip-hop de l’année
Classified (NS) — Anybody Listening
Sirius Satellite Radio Rock Recording of the Year / Enregistrement rock de l’année
The Novaks (NL) — Things Fall Apart
Roots / Traditional Solo Recording of the Year / Enregistrement folklore / traditionnel de l’année — artiste solo
Lennie Gallant (PE) — If We Had a Fire
Roots / Traditional Group Recording of the Year / Enregistrement folklore / traditionnel de l’année — groupe
Dawn and Margie Beaton (CB) — Taste of Gaelic
R&B/Soul Single Track Recoding of the Year / Enregistrement gospel de l’année
Jamie Sparks (NS) — All I Need — Remix
Bell Aliant Fan’s Choice Video of the Year
The Motorleague (NB)
Cape Breton Credit Unions Fan’s Choice Artist/Group of the Year
Samantha Robichaud (NB)
Director’s Special Achievement Award
The Rankin Family
Dr. Helen Creighton Lifetime Achievement Award
Scotty Turner
Coast photographer Scott Blackburn is our eyes and ears this weekend at the ECMAs. Tough job. Here are the day one highlights. Is it me, or is there a lot of style going on in Sydney?
ECMA 2010 INDUSTRY AWARD WINNERS
Broadcast of the Year presented by Atlantic Tractors
Atlantic Airwaves
Event of the Year presented by Cape Breton University
Halifax Pop Explosion
Independent Company of the Year presented by Sampson McDougall
Sonic Entertainment Group
Industry Professional of the Year presented by CARAS
Darren Gallop
Manager of the Year presented by Gillis Home Building Centre
Heather Gibson
Media Person of the Year presented by Tim Hortons
Doug Gallant
Producer of the Year by Shure
Joel Plaskett
Record Company/Distributor/Independent Label of the Year
Sonic Records
Studio of the Year presented by Bay Music
The Sonic Temple
Studio Engineer of the Year sponsored by OIART (Ontario Institute of Audio Recording Technology)
Mike "Sheppy" Shepherd
Venue of the Year presented by Casino Nova Scotia
The Company House
Visual Artist of the Year presented by Marcato Digital Solutions
Chr!s Sm!th
Stompin' Tom Award presented by Jim Sampson Motors
Billy and Cornelia MacLeod
FACTOR Industry Builder Award
Stephen "Beak" MacDonald
Musician's Achievement Award
Dave McKeough
Atlantic Lottery Volunteer of the Year Award
Marie Doyle and Margie MacNeil

Caribou (human name: Dan Snaith) will beckon you into his dreamy poppy-psych world on Friday June 11th at the Paragon Theatre. Doors are at 9:30pm and tickets are $15 in advance and $20 at the door. Ticket info and supporting acts are TBA.
Check out the video for his song "Melody Days" below.
Sadly Scene and Heard will be missing out on the ECMAs this year. Instead your humble narrator will spend the weekend as she usually does, talking about herself in the third person, watching Walker Texas Ranger and drinking Wildcat until she cries. She was really looking forward to all these mini-festivals and “No-Cases” for up-and-coming bands from all over the Maritimes.
One of the biggest of these is East Coast Uprising, a fest that's hosting a veritable smorgasbord of groups at Govenor’s Pub all weekend. Stop Motion Massacre will be taking the stage on Thursday night at 1:15am. The boys shared some thoughts on their auspicious Sydney debut in an email. “I have no idea where I’m sleeping. Maybe I’ll go on a three-day spirit quest,” says Brian Dodge. His bandmates Alfred Remo and Derrick Hiltz have played other ECMA showcases in various other band incarnations. Hiltz says the best fun is "sneaking into proper ECMA events and drinking drinks that weren't meant for us."
As an ECMA newbie, Dodge says the festival gig has allowed his dreams to spiral out of control.
"I have this fantasy that after we play our show a guy's going to come up to us in a white suit and mirrored sunglasses," says Dodge. "And he'll be all like 'You three are the second coming of the doomsday machine and I'm going to give you an Olympic-sized pool full of barbecued red meat as a reward. Oh, and here are some skateboards you can thrash with when you're done eating.'"

When they're not drinking or playing, the boys plan to play a lot of video games, maybe see Bad Vibrations and indulge in Napoli Pizza. “If I were strictly an observer, I'd seek out whatever bands were the boldest, weirdest and most ridiculous---stardom and career-advancement be damned," says Hiltz. "I want to see bands that shoot their careers in the foot with a bazooka.”
Remo has more straightforward ambitions: “This whole thing is just an excuse for musicians to get together, play some music, and get shitfaced,” he says. “The awards? None of us give a fuck about the awards. We all just want to know where the hotel room party with the free beer is at 3 o'clock in the morning.”
You can download Stop Motion Massacre's first release for free here.
In addition to the happenings at Governor's, you lucky bastards might also want to check out the aforementioned Ec'ze'ma No Case at the Upstairs Club on March 6 with Myles Deck and the Fuzz, Bloodhouse, Bad Vibrations, The Strawmen, Liquid Vapours and Cousins. Or perhaps the NSCC Showcase on the same evening at Savoury's Day's Inn will tickle your fancy, with the delightful Tupperware Remix Party, The Grass (who are everywhere this weekend, it seems) Gamma Gamma Rays and others. You'll figure it out one way or another, I'm sure. Move along, cowboy!


The Juno nominations were announced this morning, and although the list features the usual suspects (Nickleblegh, Billy Talent, Michael Bublé and yes, despite the fact I quite like him, Joel Plaskett is ubiquitous enough at these award ceremonies that he, too counts as a usual suspect) there are some fresh faces that we are quite excited about.
Amelia Curran has deservedly been recognized for her album (and Six Shooter records debut) Hunter Hunter under the Roots/Traditional Album of the Year category. I'm thrilled that this Coast cover star is getting her due. Whether she wins or not, this is gonna put her name on the map, and that's a good thing.
I've plucked out the local nominations below. The complete list is here.
Single of the Year
Classified - "Anybody Listening"
Rap Recording of the Year
Classified - Self Explanatory
Music DVD of the Year
DRUM! Live
Aaron Young, Doris Mason, Colin Smeltzer, Daniel Brooker Brookes Diamond
Songwriter of the Year
Joel Plaskett - “Through & Through & Through”, “Deny, Deny, Deny”, “All The Way Down The Line”
Adult Alternative Album of the Year
Joel Plaskett - Three
Roots/Traditional Album of the Year
Amelia Curran - Hunter, Hunter
Video of the Year
"Anybody Listening" - Classified (directed by harv)
Music DVD of the Year
DRUM! Live
Aaron Young, Doris Mason, Colin Smeltzer, Daniel Brooker, Brookes Diamond, DRUM!
Dear Video Difference, I’m pretty into you . Let me count the ways: 1) You are the only video store in Halifax that carries The Cramps: Live at Napa State Mental Hospital. (I know. I’ve checked.) 2) You sell me cigarettes at 4am. 3) Your employees are sexy.
Now there’s yet another reason to head up to 6086 Quinpool: VD has officially become a TicketPro outlet. After TP outlet Duly Noted moved to Brenton St., Video Difference's owner Tom Michael says the decision to sell concert tickets came pretty naturally. “So far the reception from customers has been pretty good,” he adds. “We’re currently refining the process to speed things up.” For tickets, it’s cash and debit only, so keep your fancy plastic in your pants, would you?
The Numbered Head made a video for their song "Alligator Gallop" featuring beer, plastic bagheads and chutzpah. It's proof that you don't need big budgets to have major funzies. Watch.
Yes friends, it's Monday and we're once again looking down the barrel of a hairy week. The only things getting me through this damp morning are 1) a giant cup of dark roast from Zona at the King's Wardroom and 2) the memory of Dog Day covering Nirvana's "Drain You" at Friday night's show at the Paragon. It reminded me that Dog Day are the best ever, and also that "Drain You" is pretty good at conveying the ideal "fuck you, Monday" vibe that most of us need. Revisit your angsty past below and good luck with everything today. We'll make it through together, champ.

Pete Freckelton originally got into Bob Dylan out of desperation. “I was a Canadian child of the ‘80s,” says the Port Williams programmer. “What were my options? There was Madonna and Glass Tiger. I started getting into heavy metal—Ozzy Osbourne singing about addiction, Metallica singing about social injustice. I got into Dylan through metal because it seemed like he had something to say, too—and I’ve been a sucker for him ever since.”
Freckelton’s interest blossomed into dylanradio.com: a non-profit streaming webcast that plays interviews and music by or inspired by Dylan. The site has since attracted over 3,000 users, and Freckelton was taken aback. “I love Bob but I can’t imagine listening to nothing but Bob Dylan all the time,” he says. “I guess the coolest thing about Dylan is that he constantly re-arranges his own songs when he plays them live, and so you end up with a library that’s really vast. No two songs are alike.”
Currently the site is hosting the Dylanradio Battle of the Bands—a contest where bands all over the world are invited to submit their versions of Bob Dylan songs. Last year entries ran the gamut, and included submissions by two Japanese schoolgirls who called themselves The Duet and did a spirited a capella cover of “Stuck Inside Mobile With the Memphis Blues Again.” The winners—based on a voting system—were an Italian group called The Maggie’s Farm Southern Band. “They sounded like Bob Dylan if he had an Italian accent,” Freckelton says.
You can browse last year’s winners on the site and Freckelton encourages more Canadian entries: “We didn’t have many last year,” he says. (Deadline for submission is April 30th.)
Below, check out a video of Maggie's Farm Southern Band taking on "Leopard-Skin Pill-box Hat."

If you're still wounded that the White Stripes' documentary Under the Great White Lights was cancelled at this year's Atlantic Film Festival, there's more disappointing news (especially if you read the misleading Exclaim article that says there's an upcoming Halifax screening), unless you're heading to the ECMAs. The film is showing across the country over the next couple of weeks, but not in Halifax. The only east coast date is March 4 in Sydney, as part of the music awards weekend.
But hold onto your red cap: you can host Jack and Meg in your own home.
Celebrate White Stripes day on March 16 (also the date their new box set comes out), by ordering a screening package, which includes a copy of the DVD, popcorn and peppermint swirl candy. If you have a projector and a largish room, sign in and order here.

I think we all knew this was coming—-Jersey Shore's Mike "The Situation" Sorrentino will soon be making an "appearance" in Halifax. A mere $25 will get you into Pacifico's "White Party" on May 6—-and $85 dollars will get you into the "VIP" Capitol Room, where the man himself—-no doubt tanned, buzzed and resplendent—-will be IN. THE. SAME. ROOM with "your own private DJ." Sounds like a sexy situation! (Check out the Ticketpro link here.)
Now, listen—-I watched the shit out of Jersey Shore this past winter. And I loved it. I loved it the same way I love A & W Teen Burgers: Both are quick. Both are tasty. Both are kind of sticky. Both are very satisfying diversions. True, it may leave you feeling dirty and disgusting afterwards, but the feeling passes through your system shortly and ten minutes later, you find yourself thinking "I need another delicious oily burger/episode" and your hands start shaking.
But will I be shelling out $25/$85 to be in the same bar as the man who once mused, "Shave last minute, haircut the day-of, maybe some tanning and the gym. These are rules to live by"? No. And it's not because I think it's stupid or a rip-off (although it is important to note that for $25, I could purchase approximately fifteen Teen Burgers.)
No. The reason is very simple. No Snooki, no dice.
Evidence in video form below:
Is it just me or is Riot Grrl making a weird comeback? For those of us, male or female, who still jump around to Fontanelle and All Hands on the Bad One, I supposed it never really left. And here and there, there's bands like Gossip, who are full-on famous now but haven't forgotten their roots as dirt-poor punk zine-makers in Arkansas and later in Olympia, WA. On the flip side of things, I'm sure there are many who would be happy to see riot grrl, its women and "womyn" stay buried in the annals of history until the end of time. And fair enough—I'm not sure any of us were quite prepared.
( In high school, my brother once peered up at a photo of Bikini Kill frontwoman Kathleen Hanna wedged in my mirror frame, silently taking in the leopard-print bathing suit, crusty pink lipstick, "INCEST" scrawled angrily across the breastbones and black hair bristling in the armpits, looked at me, and said quietly, "She looks like she wants to punch me in the penis.")

Anyway, recent stories have popped up in various media that suggest people are getting pretty nostalgic for these bygone days of fem-punk and politics. Last week in Slate's Double X column, two authors of recent books on punk and pop culture asked: Does the riot grrl ethos live on in the likes of Lady Gaga and the Spice Girls? Or is it a more singular phenomenon, rooted in a distinct time and place?
More directly, Bikini Kill has just set up an online archive where fans can send in show reviews, photos, testimonials and other memories to keep the long-defunct band's memory alive. Considering that about 85% of Bikini Kill fans I know are librarians anyway, the idea is appropriate; moreover, the archive is a fun, inspiring read.

A more polarizing figure from the era has also returned in a big way: Courtney Love graces the cover of SPIN's 25th anniversary issue this month, wreathed in flowers, collagen-lipped.
(Cue the commenter cries of protest: "Washed-up hag!" is one of the nicer ones.) Perez Hilton—whose Love-hate relationship has so far manifested itself through Twitter in-fighting and posting private notes from her Facebook—made a remarkably vacuous about-face earlier this week, praising Love's Hole comeback show in London.

(And, slightly off topic: Does anyone still remember the story of Love brawling with Hanna at Lollapalooza 1995? Am I—and are they—seriously that old? Oh, these rose-hued memories!)
Hanna's considerable shadow exists in more local realms as well. You've already read Sue Carter Flinn's post about Hanna's donations of Bikini Kill zine memorabilia to the NYU library. THe post also linked to Bitch magazine's evaluation of Halifax's modern-day electro-grrl Jenocide in light of Hanna's brainy dance stance in the immortal Le Tigre.
Meanwhile, those multilingual dance-fuckers in ECT (and lead singer Lindsay Allain in particular) have earned comparisons to Hanna in this paper and elsewhere, and they continue to play gigs and bolster a nicely growing scene of women in punk and rock bands (example: this Friday's (Feb 26) show at Gus' with Meat Curtains.)

Either way—and looong story short—we're pleased that all of this is being reported, discussed and supported by scenes both at home and far away—RIGHT NOW. The history of "grrl" culture may be patchy and all of this could just be chalked up to a mass ill-advised nostalgia trip, but it's definitely a phase of teenage girldom that we never quite grew away from, and perhaps it's time to embrace it anew.