Art Attack is a catchall for the Arts in Halifax: Nova Scotian visual arts, theatre, dance, literature and the film industry. Contact suec@thecoast.ca to send a tip

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Friday, March 12, 2010

Object lesson

Loosen the Noose opens new play, Eyes and the Object, in Point Pleasant.

Posted by Sue Carter Flinn on Fri, Mar 12, 2010 at 3:32 PM

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It’s hard to believe that Eyes and the Object, a new play by Loosen the Noose Productions, grew out of an improv exercise using Maritime ghost stories and legends. “It’s an original idea from the ground up,” says Mike McLeod, who plays Calvin Ballard, a modern-day DaVinci who’s a painter, inventor and the youngest recipient of the Nobel Prize for physics. The idea “organically changed direction” for collaborators McLeod, Margaret Legere and Melissa Noonan, and became more of a metaphysical exploration: Ballard’s obsession with his work is isolating and soon, he only speaks to a woman he believes is “trapped in another dimension.”

Other collaborators include artists Jamie Stevens, Sarah Jean Jones and Rebecca O‘Rourke, with music by Michael Legere. There’s another silent character in the production too—-Ballard refuses to leave his studio, which is perfectly cast by the rough-hewn Shakespeare By The Sea building in Point Pleasant Park. “The space really lends itself to his sense of isolation,” says McLeod.

Eyes and the Object runs March 15 (PWYC) to March 20, 8pm with a 2pm Saturday matinee. Tickets are $15-$10, email tickets@loosenthenooseproductions.com or call 402-6764.

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Art history with the Khyber and Eyelevel Gallery

Two galleries spend their birthdays digging through the archives.

Posted by Sue Carter Flinn on Fri, Mar 12, 2010 at 3:22 PM

Good advice from the Khyber archives
  • Good advice from the Khyber archives

Light up the candles and grab the champers because two artist-run centres are celebrating significant birthdays with archive shows. Older sister Eyelevel Gallery, who donated their archives to Dalhousie University several years ago, created an extensive online archive of exhibitions (eyelevelgallery.ca), going back to 1974’s Peggy's Cove Syndrome, in their first location on Upper Water Street. Even if you’re not an art fan, it’s a cool way to look at Halifax’s history.

The Khyber Art Society is marking their 15th anniversary with the archive exhibition, No Money Down, referring the society’s original name. “We’re putting the archives to good use, and so they’ll see the light of day,” says exhibition organizer and KAS board member Wes Johnston. Faced with “institutional memory loss and a high level of turnover and burnout”—-an occupational hazard for all low-funded non-profits—-the show of posters, letters and other ephemera is also a reminder of all the group has achieved, in terms of artistic output and political wrangling through the years. Many big-shot artists like Kelly Mark, Sandy Plotnikoff and Emily Vey Duke were involved back in the day when all three floors of the iconic building were full of art, parties and music.

Currently the Khyber board is waiting for word back from HRM and TCI Management Consultants, who are making recommendations on the future of the Khyber building and whether KAS will be in that spot for their 20th birthday. In the meantime, celebrate the past starting with Friday’s reception at 7:30pm. Show runs until March 31.

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Monday, March 8, 2010

Rajaton: Finnish for "boundless"

A cappella singing group lives up to its name

Posted by Kate Watson on Mon, Mar 8, 2010 at 10:54 AM

Here’s something you might not know: Membership in the Association of Canadian Choral Communities is almost 40,000 strong, making it the largest group of performing artists in this country.

While that might seem like a surprising fact to people outside the world of choral music, the March 7th concert that saw the Finnish singing group Rajaton perform with a massed choir over 500 singers from all over Nova Scotia went a long way towards explaining the popularity of this art form.

Rajaton was in town to perform with Symphony NS (By all accounts, the two shows, which featured music by ABBA, were outstanding) and to lead workshops in a three-day choral festival.

Sunday’s concert was truly worth forgoing two hours of sunshine for. The six members of Rajaton perform entirely a cappella, and they create heavenly harmonies and the most startlingly realistic instrument sounds. (At one point, I had to remind myself that there was no drum set hidden off stage.)

Their choice of music was varied, from the haunting “Dobbin’s Flowery Vale” to a high-energy, dramatically-choreographed version of “La Dolce Vita”. This group is the whole package—attractive, charming and oh-so-talented. They were received like rock stars, and deserved the treatment.

For the finale, the massed choir (which included singers of all ages) and Rajaton performed an ode to the brevity and beauty of life called “Butterfly”. It brought tears to my eyes, and was the perfect end to an amazing afternoon.

Friday, March 5, 2010

Plutonium Playhouse is going to blow up

A new theatre space by Thom Fitzgerald opens in central Halifax.

Posted by Sue Carter Flinn on Fri, Mar 5, 2010 at 4:14 PM

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Hunter Street has quietly become another cultural hub in city, thanks to fashion and art events at the Olympic Centre, plus the drums that keep me company as I walk home past the Rock Garden and Common Ground Studios. And now here comes Plutonium Playhouse, located above Long & McQuade (2315 Hunter), ready to blow up the neighbourhood.

According to a note from producer Lee-Anne Poole (formerly of Bus Stop Theatre), this is filmmaker Thom Fitzgerald's baby, who conceived of the idea and will be acting as artistic director. According to their website plutoniumplayhouse.wordpress.com, it's a place "to explore and develop a piece until a first (and beautifully rough) unavailing to the public. Our focus is on the script, and characters, and giving the playwright the opportunity to see their work produced from start to finish."

Both Poole and Fitzgerald have productions this season, as does Katie Swift and Stewart Legere, who was electrifying last year in the one-man play Thom Pain and as the emotionally broken rock star in Zuppa's Poor Boy.

Here's Plutonium's inaugural season:

Cloudburst
by Thom Fitzgerald
April 8-May 8, 8pm, Sunday matinees 2pm, $20
A stage version of Fitzgerald's full-length comedy and unlikely road trip film, set to shoot with Olympia Dukakis and Brenda Fricker. Dotty and Stella are a 78-year old couple, living together in Maine for 31 years, until Dotty falls and is facing care in a long-term care facility. To avoid separation, the two take a road trip to Nova Scotia to get married. "The road is long and rough, and Stella begins to wonder if she really can take care of Dotty in her old age. After 31 years, they are trying to keep their family together."

A Rescue Demonstration
created and performed by Stewart Legere and Katie Swift, and directed by Ann-Marie Kerr
May 20-June 5, 8pm, Saturday and Sunday matinees 2pm, $15-$20
Edward and Mary were once close, but they haven't seen each other in 10 years—until a distant violent event brings them together again to sift through their memories. "The story takes place on the edge of memory; where everything that happens may have happened before, and where a question as simple as 'Who is Ezekiel?' can knock you off your feet."

Splinters
by Lee-Anne Poole
July 1- 25, 8pm, Sunday matinees 2pm, $15-$20
A full-length, two-act drama follows a young woman—a lesbian in a heterosexual relationship—as she returns home to take care of her mother after her father’s death. "Wanting her boyfriend to accompany her to the funeral but not wanting her mother to know about her and a man, they pose as friends. Trying to keep secret the one thing Belle’s mother has always wanted."

For more information check out plutoniumplayhouse.wordpress.com.

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Atlantic Book Award shortlist and surprising omissions

Toronto-based Linden MacIntyre leads the shortlist with three nominations.

Posted by Sue Carter Flinn on Fri, Mar 5, 2010 at 3:04 PM

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The shortlist for the Atlantic Book Awards were announced this week and I have to say that this year's list is full of surprises, some of which are really exciting. First-time novelists impressed the judges: Shandi Mitchell, nominated for two awards for her debut novel, Under This Unbroken Sky, including the big Raddall prize, and Anna Quon, whose MIgration Songs I would have expected to shortlist for a first book award, is up for a Dartmouth Fiction Award. This is a promising sign for Atlantic Canadian fiction, which, lets face it, does tend to be dominated by a few big names.

But I'm really surprised by the exclusion of first-time authors Amy Jones (What Boys Like), Ryan Turner (What We’re Made Of) and Carla Gunn (Amphibian, which the Globe named as one of the top literary debuts of 2009). And of course we have to congratulate The Coast's Stephen Kimber (IWK: A Century of Caring for Families), the hardest working man in Atlantic Canadian non-fiction.

And then there's Linden MacIntyre's three nominations for The Bishop’s Man. I know it's in the rules—MacIntyre was born and raised here—but this feels like a "Sarah McLachlan ECMA" moment. There's no disputing that the book is award-worthy; it did win the Giller after all, but if we're talking books by authors living and working in Atlantic Canada, where is Lisa Moore's February? Such a pure, sophisticated and beautiful story.

There are many reasons why books aren't nominated, and perhaps those titles weren't submitted by publishers to begin with, but it's just another reason to remember, especially on this ECMA/Academy Award weekend, that awards aren't everything. And if you need more proof, hopefully you caught last night's Parks and Rec, where Ron and his moustache won "the Dorothy Everytime Smurf Girl Trophy for Excellence in Female Stuff.”

Here is the full list of nominated books. The Atlantic Book Awards and Festival runs April 10—18. Look for an updated schedule of events at atlanticbookawards.ca

Ann Connor Brimer Award for Children’s Literature
Jill MacLean, The Present Tense of Prinny Murphy (Fitzhenry & Whiteside)
Darlene Ryan, Five Minutes More (Orca Book Publishers)
Valerie Sherrard, Tumbleweed Skies (Fitzhenry & Whiteside)

APMA Best Atlantic-Published Book Award
Birds of Newfoundland Field Guide by Ian Warkentin and Sandy Newton (Boulder Publications)
By the Rivers of Brooklyn by Trudy J. Morgan-Cole (Breakwater Books Ltd.)
A Passamaquoddy-Maliseet Dictionary / Peskotomuhkati Wolastoqewi Latuwewakon by David A. Francis and Robert M. Leavitt (Goose Lane Editions)

Atlantic Independent Booksellers’ Choice Award
Michael Crummey, Galore (Doubleday Canada)
Linden MacIntyre , The Bishop’s Man (Random House Canada)
David Adams Richards, God Is. (Doubleday Canada)

Atlantic Poetry Prize
Anne Compton, Asking Questions Indoors and Out (Fitzhenry & Whiteside)
Tonja Gunvaldsen Klaassen, Lean-To (Gaspereau Press)
Zachariah Wells, Track & Trace (Biblioasis)

Dartmouth Book Award (Fiction)
George Elliott Clarke, I & I (Goose Lane Editions)
Linden MacIntyre , The Bishop’s Man (Random House Canada)
Anna Quon, Migration Songs (Invisible Publishing)

Dartmouth Book Award (Non-fiction)
Greg Cochkanoff and Bob Chaulk, SS Atlantic: The White Star Line’s First Disaster at Sea (Goose Lane Editions)
Stephen Kimber, IWK: A Century of Caring for Families (Nimbus Publishing)
Anne Murray with Michael Posner, All of Me (Knopf Canada)

Democracy 250 Atlantic Book Award for Historical Writing
Raoul R. Anderson and John K. Crellin (editors), Mi'sel Joe: An Aboriginal Chief's Journey (Flanker Press)
Greg Cochkanoff and Bob Chaulk, SS Atlantic: The White Star Line’s First Disaster at Sea (Goose Lane Editions)
Mike Heffernan, Rig: An Oral History of the Ocean Ranger Disaster (Creative Publishing)

Evelyn Richardson Memorial Literary Prize for Non-fiction
Jason I. Brown, Our Days Are Numbered (McClelland and Stewart)
Harry Bruce, Page Fright (McClelland and Stewart)
John DeMont, Coal Black Heart (Doubleday Canada)

Lillian Shepherd Memorial Award for Illustration
Kathy (HildaRose) Kaulbach, Johnny and the Gipsy Moth by Deannie Sullivan-Fraser (Tuckamore Books, an imprint of Creative Publishing)
Scott A. Keating, What Colour is the Ocean? by Gary Collins with Maggie Rose Parsons (Flanker Press)
Marie Moore, Cape Breton Wonders by Shirley Everett and Chris Augusta Scott (Cape Breton University Press)

Margaret and John Savage First Book Award
Binnie Brennan, Harbour View (Quattro Books)
Greg Malone, You Better Watch Out (Knopf Canada)
Shandi Mitchell, Under This Unbroken Sky (Penguin)

Thomas Head Raddall Atlantic Fiction Award
Michael Crummey, Galore (Doubleday Canada)
Linden MacIntyre, The Bishop’s Man (Random House)
Shandi Mitchell, Under This Unbroken Sky (Penguin)

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Thursday, February 25, 2010

Home from NY: deux fm Q&A

Anna Gilkerson takes us behind the scenes of her New York fashion show.

Posted by Sue Carter Flinn on Thu, Feb 25, 2010 at 10:59 PM

As we reported last week, deux fm is back from New York's Greenshow, coinciding with NY Fashion Week. It's our dream to appear in the Huffington Post, but it looks like Anna Gilkerson and her Hollywood-glam, eco-friendly collection have beat us to it.

Gilkerson took some time out of her crazy schedule to talk about her latest designs, America's Next Top Model, Vogue and the hard, hard work it takes to successfully pull off a fashion show.

Photo: Paul O. Colliton
  • Photo: Paul O. Colliton

Photo: Paul O. Colliton
  • Photo: Paul O. Colliton

I agree with ecoterre—this collection really speaks to old Hollywood glamour. It's really romantic too, and you've developed a narrative. What story does this collection tell?

AG: The collection is about a woman who is not obsessed with fame and fortune. She makes do with what she has, hence not a lot of zippers, buttons, extra stuff etc... It is a post-war reflection where there was lots of make-up and big hair, but not a lot to work with clothing-wise so women did their best and ended up looking fabulous. I added in some active wear details and tried to focus mainly on casual day and evening dresses—of course, I could not help doing some suit jackets, skirts, coats and tees though, my customers would have been disappointed!

Photo: Paul O. Colliton
  • Photo: Paul O. Colliton

Photo: Paul O. Colliton
  • Photo: Paul O. Colliton

When will this collection be available for Haligonians?
AG: If I can get further funding to produce and distribute the collection it will be available in stores in this coming August at Love Me, Boutique. It will be great to see the whole collection hanging in one shop in Halifax that supports sustainable fashion with an emphasis on quality and fashion forwardness.

How important is it that events like The Greenshows and Eco Fashion Week exist?
AG: What can I say, it’s the best thing that has happened to NYFW ever!! But of course I am biased ; )

Photo: Paul O. Colliton
  • Photo: Paul O. Colliton

How did this show experience compare to other shows you've done? You must have been, "holy shit, this is big..."
AG: It’s a long developmental process building up to that point where the models step out in your designs for the world to see. I did not let myself get wrapped up in all that—you can’t. It was all about putting on a solid show and representing deux fm in the best light possible—meaning everything had to look perfect to my vision. I am a total perfectionist when it comes to the visual. I also had amazing help and I could not have pulled it off on my own.

What was the reaction like? Did you get any feedback?
AG: Reaction was great—I got asked back immediately. And there were a lot of interviews and picture taking at the end. I am not huge into that stuff so I was kind of glad when it was over and I could go out to dinner with everyone and get a little drunk. We did not end up going out until 10pm as I was still working when I got back. This stuff never ends—it seems to only get crazier.

ANTM finalist Laura Kirkpatrick in deux fm.
  • ANTM finalist Laura Kirkpatrick in deux fm. Photo: Paul O. Colliton

I love that you had ANTM finalists Laura Kirkpatrick and Jennifer An in the show—how did that happen?

AG: Totally by accident, by chance. I did not do the initial casting. They came for the final casting at our hotel—I had them on the short list cause I thought they were pretty, that’s it. And then I saw them in person and even though I had only seen one episode of that season I recognized them right away. It was hilarious. They were sweet girls, great to work with.

ANTMs Jennifer An in deux fm. Photo: Paul O. Colliton
  • ANTM's Jennifer An in deux fm. Photo: Paul O. Colliton

Photo: Paul O. Colliton
  • Photo: Paul O. Colliton

Gilkerson (centre) and the team. Photo: Paul O. Colliton
  • Gilkerson (centre) and the glam-team. Photo: Paul O. Colliton

You also had a meeting with a little magazine called Vogue ...
AG: Ahh Vogue—they pulled some samples for an eco-fashion shoot which is such an honour, although... I think I am a little too affordable and approachable for the likes of Vogue. Of course, a mini-feature would be cool. A girl can only dream.

Did you get a chance to see any other shows? Anything stand out?
AG: I saw the Vaute Couture show (which was gorgeous) because I happened to be doing a hair and make-up test at the time and went out for a sandwich. They pulled me in and gave me a VIP seat in the front row, and literally the lights went on as I sat down—it was funny— everyone thought I was someone important. Ahh, New York... Besides that, no, I was too busy working in my hotel room.

Photo: Jen Lee and Paul O. Colliton
  • Vaute Couture. Photo: Jen Lee and Paul O. Colliton

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Video: iZrEAL on Africville

Spoken word artist's take on the Africville apology and settlement.

Posted by Sue Carter Flinn on Thu, Feb 25, 2010 at 10:43 AM

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Another example of how complex the issue is: spoken word artist iZrEAL sorts out his own feelings on yesterday's apology and announcement that almost $5 million of gov't money is going towards a new interpretive centre in Seaview Park. Is this really for the community, he asks, or for tourists?

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Tuesday, February 23, 2010

Peter White wins regional Laugh Off

Halifax comedian heads to Toronto for the national finals.

Posted by Sue Carter Flinn on Tue, Feb 23, 2010 at 5:39 PM

Not actual audience.
  • Not actual audience.

From many accounts, it was a bizarro start last Wednesday when judge John Dunsworth apparently heckled the host comedian, but Yuk Yuk’s Great Canadian Laugh Off regional finals recovered and concluded with laughter and no tears. Peter White won, followed by a Picnicface one-two jab, thanks to runners-up Kyle Dooley and Evany Rosen. White, who already holds an exclusive management deal with the comedy club, heads to Toronto at the end of March, competing against 63 other contestants in eight rounds for the $25,000 prize. But he’s shrugging it off in a typically modest way.

“It’s not easy to win,” he laughs. “So much depends on the judges,” who include bookers and reps for The Late Show with David Letterman, Just for Laughs, The Comedy Network and Conan O’Brien (RIP, Coco). But White admits that, in the back of his mind, Mark Little’s win last year makes his own chances “just a little more realistic.”

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Friday, February 19, 2010

Media reports from NY Fashion Week: deux fm

Popular website ecoterre.com says deux fm brims with Hollywood glamour.

Posted by Sue Carter Flinn on Fri, Feb 19, 2010 at 3:09 PM

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  • photo from ecoterre.com

My favourite ecofashion website ecoterre.com just reviewed deux fm's NY Fashion Week show, calling Anna Gilkerson's designs "very easy on the eyes," and brimming with "old Hollywood glamour." Yes, that's how we roll here in Halifax.

It's not surprising that the fashion media is eating up deux fm's new collection. You can imagine 1930s movie stars like Veronica Lake wearing those dreamy pencil skirts and wrap dresses, but also modern stars like Cate Blanchett, who effortlessly effuses casual glamour.

And here's a little treat to keep you ANTM fans smizing: deux fm's Wednesday show included models from cycle 13: Laura Kirkpatrick and Jennifer An!

Look for our interview with Gilkerson next week.

UPDATE: Deux fm in the Huffington Post.

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Wednesday, February 17, 2010

Tonight! Brave the snow for the laugh payoff

The Great Canadian Laugh Off will melt your slushy heart.

Posted by Sue Carter Flinn on Wed, Feb 17, 2010 at 2:29 PM

Hopefully these guys will stay home tonight.
  • Hopefully these guys will stay home tonight.

Tonight at Yuk Yuks, 10 comedians will compete in the Great Canadian Laugh Off, the winner of which flies to beautiful sunny Toronto for the national finals (and boy, will their arms be tired. Hi-yoo!). No pressure either, considering that last year, Halifax’s Mark Little took home $25,000 funny bones.

Little’s Picnicface pals are well-represented in the local finals, with Kyle Dooley, Evany Rosen and wildcard Cheryl Hann all competing, along with Josh Dunn, Catherine Robertson, Steve Mackie, Scott MacLean, Kyle Hickey, Peter White and Matt Labouki.

We asked Coast cover laugh-lady Robertson how she was feeling before the big night: “I’m totally excited, and I feel a bit like a jack-in-the-box waiting to pop out the top,” she says. “My jack-in-the-box plays ‘Dancing With Myself.’ I know it’s going to be a killer show and a tight competition. I can’t wait to get onstage Wednesday!”

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Monday, February 15, 2010

Terry O'Reilly gets persuasive

CBC Radio host promotes new book at Keshen Goodman.

Posted by Sue Carter Flinn on Mon, Feb 15, 2010 at 3:56 PM

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Man Men watchdog Terry O'Reilly has a new book, The Age of Persuasion, a collection of advertising's "funniest hits, the most legendary industry anecdotes and the never before-revealed stories behind the ads." The CBC host and author will be at the Keshen Goodman Public Library on Wednesday at 7pm to share a few stories.

Maybe he can explain these:



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Saturday, February 13, 2010

Review: So...What About Love?

Hit show, take two

Posted by Kate Watson on Sat, Feb 13, 2010 at 10:25 AM

Just in time for Valentine’s Day, the terrific trio of Andrew Chandler, Garry Williams and Amy Reitsma have reworked and remounted So…What About Love? the smash hit of last year’s Fringe. You may remember that they created this heartfelt and hilarious song cycle in less than a week, yet managed to compose lyrics, music and monologues that felt as if they’d been slaved over for years. This new version is still a work in progress, with brand new songs, monologues and over-arching premise added. It attempts to fill out the back-stories of three specific characters, and to make their romantic predicaments more clear and specific. The new conceit where they are sharing stories while waiting in an airport seems a little forced and unnecessary. I don’t remember feeling confused in the first version, so I was not seeking clarification in this one. However, I quibble. So…What About Love? still manages to speak truthfully about different kinds of love and is still filled with sophisticated, memorable music.

Showtimes for So… What About Love? at The Sound Market Studio Café, 6208 Quinpool Road:

Saturday, February 13 — 3:00 pm, $10

Sunday, February 14 — 7:30 pm, $20. Proceeds from this show will go to Until the Violence Stops, which raises money and awareness to end violence against women and girls both locally and globally.

Friday, February 12, 2010

Green with envy: deux fm heads to New York

Nova Scotian designer showing at Eco Fashion Week.

Posted by Sue Carter Flinn on Fri, Feb 12, 2010 at 4:19 PM

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We wish we were a devil wearing Prada. That way we could attend The GreenShows Eco Fashion Week in New York. Dedicated to eco-friendly, sustainable fashion that you’d actually want to wear (i.e. no hairy hemp sacks), the first event was held in September, during New York Fashion Week. This time around, 10 designers will showcase their fall/winter 2010 collections, including our own deux fm. Anna Gilkerson, deux fm’s style genius, shows her line next Wednesday, and has promised us photos and updates from the runway.

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Friday, February 5, 2010

DANG! Dartmouth goes to the artists

City of lakes, meet your artsy neighbours.

Posted by Sue Carter Flinn on Fri, Feb 5, 2010 at 3:05 PM

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We've seen it all before. Soho and the meatpacking district in New York. Williamsburg. Queen West (and now West West in Toronto). Artists move in, fix up neighbourhoods, make them cool, then come the good bars and restos and the galleries, and then, eventually, the rest of the world figures it out and moves in. Mark my words: it will be the artists that bring the masses to Dartmouth.

On Wednesday night, there's a DANG! event (Dartmouth Art Neighbours Get-together). It's an informal get together for Dartmouth visual artists, poets, filmmakers, musicians, dancers and more to meet each other, 6-8pm, in the Ram's Head Room at the Celtic Corner Public House (69 Alderney Drive).

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Wednesday, February 3, 2010

Barrington Street moves farther from heaven

Patron bus saint painting mysteriously disappears the same way it appeared.

Posted by Sue Carter Flinn on Wed, Feb 3, 2010 at 1:38 PM

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It seems that even the celestial beings are now abandoning sad old Barrington Street. About six months ago, a large, raw plywood door appeared on the stone wall outside of Grand Parade, in front of the bus stop. Open the latch and there was a wooden triptych of a saint, custom-sized for the space. On one side of the altar-style painting, all the bus schedules painted in gold. He was my Saint Metro of the Transit.

Well, just as secretly as it appeared, the painting vanished without any fanfare. Jamie MacLellan from HRM’s Cultural Affairs, who is a fan of the piece, says that he was contacted by others asking about the mysterious bus saint. “I obviously couldn’t provide much detail, but for whatever reason they allowed the installation to carry on. It was great, actually. I still don’t know who was responsible.” To his knowledge, MacLellan says that no one in HRM took it down.

So if you’re the Raphael responsible, thank you. But get in touch, we want to talk.

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Vol 17, No 42
March 11, 2010

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